Any Day Now (2012 film)

Rudy Donatello (Alan Cumming) is a struggling musician and drag performer in a gay nightclub "Fabios" in 1979 West Hollywood, where he meets Paul Fleiger (Garret Dillahunt), a closeted district attorney. Returning home to his apartment, Rudy sees that his junkie neighbor Marianna (Jamie Anne Allman) has left her son Marco (Isaac Leyva), a thirteen year-old who has down syndrome, home alone. The next morning, following a dispute with landlord Mr Blum (Louis Lombardi), Rudy discovers Marianna has not returned. He takes Marco to Paul's workplace for advice on what to do, however Paul becomes anxious over their sudden appearance, abruptly telling him to contact Family Services and not to appear there again. Fearing that Marco will be mistreated if placed into foster care, a frustrated Rudy accuses him of neglecting them based on fears that his colleagues now suspect that he is a homosexual. As they return home, brute family services officer Miss Martinez (Kamala Lopez) awaits and remorselessly moves Marco into a foster home. He however struggles to settle in and escapes during the night.

Paul re-visits Fabios and makes amends with Rudy. On their way home, they see Marco wandering the streets in search of his home and subsequently decide to house him for the night. The following morning, Marco and Rudy bond before Blum appears at the door harassing him for rent. Fearing he will report Marco's presence to family services, Rudy enlists Paul to help him gain custody. The two visit Marianna in prison and promise her they will take good care of him if she allows, although Paul annoys Rudy as he tells her that they are just friends. Though Marianna guesses that they are in a relationship, she signs temporary guardianship papers. When having the court approve the papers, Paul states to Judge Meyerson (Frances Fisher) that he and Rudy are cousins. Though suspicious of the his claim, she awards them temporary custody of Marco. Upon the three moving in together, Marco is elated with his new "home." Upon a medical checkup, Paul and Rudy are advised that Marco has not been well cared for and his disability may see them undertake parenting for the rest of his life. Undeterred, over one year they improve his overall health and diet, enlist him into special education, and subsequently see his social and intellectual skills flourish. Having celebrated Halloween, Christmas and Marco's fourteenth birthday together, he now lovingly refers to them as his "two daddies." Paul is also promoted at the District Attorney's office, whilst he and Marco support Rudy with his desire to become a professional singer.

Wishing to know more about Paul following his promotion, District Attorney Wilson (Chris Mulkey) invites the trio to a party at his home. Rudy however becomes angered when Paul continues to refer to him as his "cousin" who "has a child." Paul's secretary Monica (Miracle Laurie) notices Wilson's suspicion of Paul and Rudy's intimacy, and pretends to flirt with him whilst Rudy suspects Paul has no intention of revealing to anyone that he is his lover. Paul privately confesses to Rudy that he suspects Wilson is homophobic and will terminate their custody of Marco if he suspects they are a couple. Wilson sees them arguing and fires Monica and Paul the following day, whilst also reporting the inaccuracies on their custody forms to the court. Family services abruptly remove Marco from their care as an overwrought Rudy is arrested for physically attempting to stop them. An enraged Paul negotiates Rudy's bail and convinces him to quit working as a drag performer in the hope of the court over-turning the decision and him continuing to practice law. The duo are condemned by Judge Meyerson for hiding the true nature of their relationship at the time of signing custodial papers, however allows them to apply for sole custody pending an investigation into their time with Marco and his proposed living environment.

The district attorney's office launch several shameless accusations of paedophilia and dispute same-sex adoption, despite Marco informing the court's representative Miss Mills (Mindy Sterling) that he was treated well and of his sole desire to live with them. Paul and Rudy insist Marco has shown them both the real joy of what it means to be a parent and will raise him to be a good man. After having their home positively evaluated, it appears they are set to receive custody, leading Rudy to contact Marco and tell him he will be "home" shortly. A delighted Marco prepares to leave and anxiously waits for them, however Judge Meyerson decides against returning him to their care, stating that the duo kissing in front of him and having Marco visit Fabios, despite only attending when closed and Rudy never dress-rehearsing in front of him, as inappropriate. A distraught Marco is soon moved into a state run foster center for children who have disabilities. Refusing to give up on their fight for custody, Paul seeks the help of lawyer Lonnie Washington (Don Franklin) to help over-turn the decision. A new judge, Richard Resnick (Alan Rachins), agrees to review the case and approves them to visit Marco only once before the hearing. Paul and Rudy are saddened to see that he has lost weight, not communicating as well as he used to and is possibly suffering from depression. Following Washington's adamant belief that he has developed a strong case detailing that Fisher's ruling was not in the best interests of the child, merely homophobic and potentially unlawful, Paul and Rudy are confident that they will be awarded full custody of Marco. The case is however immediately dismissed following Marianna, now out of prison, appearing in person to apply for reunification with Marco under legal guidance from the district attorney's office. Despite Rudy emphatically alleging that she has been persuaded or bribed by Wilson to take Marco back, has not contacted Marco for over a year, disputes how long she has been out for and citing her clear uncertainty, she receives custody. Washington tells a mellowed Paul and Rudy that gaining custodial rights from Marianna is now all but impossible and advises them to wait until Marco is older and free from his mother's control before they can hope he will come and find them.

Marco is valeted to what he is told is his "home." Upon arriving at his mother's new apartment, he is repeatedly ignored as he tells the valets "this is not my home." Marianna uses drugs and has sex directly in front of Marco, whilst her boyfriend verbally abuses him. She tells him to wait outside the apartment until she calls him back in. Unhappy with his new living environment, Marco begins to wander the streets in search of Paul and Rudy. Some time later, Paul writes several letters to the judges and district attorney's office attaching a small newspaper article to each, informing that Marco died under a bridge after three days of wandering, failing to find his way "home." Both devastated by his death, Paul watches Rudy sing "I Shall Be Released" in tribute to Marco.

• Alan Cumming as Rudy Donatello
• Garret Dillahunt as Paul Fliger
• Gregg Henry as Lambert
• Jamie Anne Allman as Marianna DeLeon
• Chris Mulkey as D.A. Wilson
• Don Franklin as Lonnie Washington
• Kelli Williams as Miss Flemming
• Alan Rachins as Judge Richard Resnick
• Frances Fisher as Judge Meyerson
• Isaac Leyva as Marco DeLeon
• Mindy Sterling as Miss Mills
• Miracle Laurie as Monica
• Michael Nouri as Miles Dubrow
• Jeffrey Pierce as Officer Plitt
• Anne O'Shea as Mrs. Lowell
• Randy Roberts as P.J.
• Louis Lombardi as Mr. Blum
• Joe Howard as Dr. Watkins
• Randy Thompson as Coco
• Ezra Buzzington as Larry
• Clyde Kusatsu as Dr. Nakahura
• Kamala Lopez as Miss Martinez

Bloom describes the story behind getting the film made: "The screenplay for Any Day Now was inspired by a true story – not based on a true story. I wrote the original script 30 years ago. A friend of mine in NY introduced me to a gay man named Rudy. Rudy lived on Atlantic Ave in Brooklyn. At that time, Atlantic Ave was pretty rundown. It has been gentrified since then. Rudy lived in a tiny apartment and had very little money. He befriended a 12-year-old boy who lived a few blocks away. The boy had been abandoned by his druggie/prostitute mother, and lived with his grandmother. The grandmother didn't do much to provide for the boy, who didn't speak. I'm guessing he was autistic, but there was no money to do anything about it. Rudy would bring the boy to his apartment, see to it that he was properly clothed and fed, and he did what he could to get him into school. He practically raised him. That is where reality ended and my writer's imagination took over. After spending time with Rudy and the boy, I got to wondering what would happen if Rudy decided to adopt him. I did my research and spoke to a number of people about the problems a gay man would have adopting a boy. Remember, this was 1980. The times were a lot different then, although we still have a long way to go. Several months later I had a screenplay."

Despite having a compelling story, Bloom would have to wait 32 years to actually see the film made. He explains: "My son, PJ, is one of the top Music Supervisors in LA, as well as a record producer and publisher. Among other shows, PJ is the Music Supervisor on Glee. Travis Fine, the director of Any Day Now, made another independent movie 3 years ago called The Space Between. Travis and PJ were friends in high school. When Travis needed help with the music on his movie he contacted PJ. When the movie was done, Travis told PJ he was looking for another movie to do, something small, with heart, and about something important. PJ, who has known about my script his entire adult life, told Travis the story. Travis loved it, and asked that I send him the screenplay. I did, and he said he wanted to make it, with the caveat that he could do some rewriting. We discussed that, and I agreed. Travis did his rewrite, raised the money, hired the actors, and made the movie. If you discount the first 30 years of trying to get the movie made, the last couple have gone by quickly. I love everything Travis did to the script, and he's made a marvelous movie. He changed the boy who didn't speak to a boy who has Down Syndrome, and cast an extraordinary actor with Down Syndrome to play the part. Travis made several other significant changes, but the heart and soul of my screenplay remain as the anchor to the movie."[2]

Any Day Now received generally positive reviews, currently holding an 79% "certified fresh" rating on Rotten Tomatoes.[3]

• Chicago International Film Festival 2012 - Audience Choice Award for Best Narrative Feature[4]
• Seattle International Film Festival 2012 - Best Actor Award, Alan Cumming[5]
• Seattle International Film Festival 2012 - Best Film[5]
• Tribeca Film Festival 2012 - Heineken Audience Award[6]
• Outfest 2012 - Audience Award - Outstanding Dramatic Feature Film[7]
• Outfest 2012 - Outstanding Actor in a US Dramatic Feature Film, Alan Cumming[7]
• Provincetown International Film Festival 2012 - Audience Award[8]
• Woodstock Film Festival 2012 - Audience Award[9]
• GLAAD Media Award 2012 - Best Film in Limited Release[10]

• Official website
• Any Day Now at IMDb
• Any Day Now at AllMovie
• Any Day Now at Box Office Mojo
• Any Day Now at Rotten Tomatoes
• Any Day Now at Metacritic